Performative Arts and Social Transformation | Mira Sack, Milena Meier, Andreas Bürgisser (Hg.)
CHF 51.50
What future challenges are we facing already today, what room for action needs to be secured and which impulses result from this for professional future action? Against the backdrop of social transformation processes that pose these questions, the contributors to this volume highlight current developments in the field of performing arts, asking for scientific references to the mode of crisis. Their international framing places different academic positions in an overarching discourse by bringing knowledge from different theatre traditions and cultural contexts into a dialogue.
174 Seiten, transcript, 2025
ISBN 978-3-8376-7427-9
Performative Arts and Social Transformation | Mira Sack, Milena Meier, Andreas Bürgisser (Hg.) [E-Book PDF]
What future challenges are we facing already today, what room for action needs to be secured and which impulses result from this for professional future action? Against the backdrop of social transformation processes that pose these questions, the contributors to this volume highlight current developments in the field of performing arts, asking for scientific references to the mode of crisis. Their international framing places different academic positions in an overarching discourse by bringing knowledge from different theatre traditions and cultural contexts into a dialogue.
174 Seiten, transcript, 2025
ISBN 978-3-8376-7427-9
Mit Reflexionen und Ansätzen zur begrifflichen Auslegung von künstlerischer Forschung, Fallbeispielen zur Umsetzung einer praxisorientierten Forschung sowie einem Gespräch an der Schnittstelle von Forschungs- und Filmförderung, richtet subTexte 04 den Fokus auf Forschung und Film. Film wird dabei nicht nur als autorschaftliches Medium der Forschung begriffen, sondern ist selber ein Medium der Forschung.
Acoustics of the Vowel. Preliminaries | Dieter Maurer [E-Book PDF]
It seems as if the fundamentals of how we produce vowels and how they are acoustically represented have been clarified: we phonate and articulate. Using our vocal chords, we produce a vocal sound or noise which is then shaped into a specific vowel sound by the resonances of the pharyngeal, oral, and nasal cavities, that is, the vocal tract. Accordingly, the acoustic description of vowels relates to vowelspecific patterns of relative energy maxima in the sound spectra, known as patterns of formants. The intellectual and empirical reasoning presented in this treatise, however, gives rise to scepticism with respect to this understanding of the sound of the vowel. The reflections and materials presented provide reason to argue that, up to now, a comprehensible theory of the acoustics of the voice and of voiced speech sounds is lacking, and consequently, no satisfying understanding of vowels as an achievement and particular formal accomplishment of the voice exists. Thus, the question of the acoustics of the vowel – and with it the question of the acoustics of the voice itself – proves to be an unresolved fundamental problem.
Wirkungsmaschine Schauspieler | Anton Rey, Hajo Kurzenberger, Stephan Müller (Hg.) [E-Book PDF]
Vom Menschendarsteller zum multifunktionalen Spielemacher
Was macht Schauspielen heute aus? Vertreter aus Theaterpraxis, Wissenschaft und Ausbildung diskutieren über Darstellung im Spannungsfeld zwischen Schauspieler-Alltag und Alltags-Performer, über Arbeitsverhältnisse zwischen Schauspielern und Regisseuren, Ausbildungsprofile verschiedener Schauspielschulen, theaterwissenschaftliche Analysen von Spielweisen und Probenprozessen und Visionen vom Schauspieler in der Theatergeschichte und Gegenwart.