Elektroakustische Musik
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Performing Live Electronic Music | Germán Toro Perez, Lucas Bennett, Jörn Peter Hiekel (Hg.)
CHF 47.90Performing Live Electronic Music | Germán Toro Perez, Lucas Bennett, Jörn Peter Hiekel (Hg.)
CHF 47.90Since digital technologies made real time sound processing broadly accessible in the 1980s, significant shifts in creative music practices and aesthetics, and further technological developments have profoundly transformed the performance practice of live electronic music. In this book philosophers, musicologists, composers and performers discuss the current state of that practice.
272 Seiten, Wolke, 2025
ISBN 978-3-95593-159-9Quick View -
Performing Live Electronic Music | Germán Toro Perez, Lucas Bennett, Jörn Peter Hiekel (Hg.) [E-Book PDF]
Performing Live Electronic Music | Germán Toro Perez, Lucas Bennett, Jörn Peter Hiekel (Hg.) [E-Book PDF]
Since digital technologies made real time sound processing broadly accessible in the 1980s, significant shifts in creative music practices and aesthetics, and further technological developments have profoundly transformed the performance practice of live electronic music. In this book philosophers, musicologists, composers and performers discuss the current state of that practice.
272 Seiten, Wolke, 2025
ISBN 978-3-95593-159-9Quick View -
Les Espaces Électroacoustiques III | Institute for Computer Music and Sound Technology [CD]
CHF 12.99Les Espaces Électroacoustiques III | Institute for Computer Music and Sound Technology [CD]
CHF 12.99Masterpieces of electroacoustic music – presented in 5.1. surround and stereo
Thomas Kessler Flute Control (1986)
Kaija Saariaho Nuits, adieux (1991)
Horacio Vaggione Shifting Mirrors (2016)
Hans Tutschku pressure-divided (2015)
Georg Friedrich Haas Ein Schattenspiel (2004)José Manuel López López Sottovoce (1995)
Marco Stroppa … of Silence (2007)
Bernhard Lang Differenz / Wiederholung 6a (2002)
Peter Ablinger Instrumente und ElektroAkustisch Ortsbezogene Verdichtung («das Blaue vom Himmel») (1995-1997)2 SACDs, col legno, 2023
WWE 2SACD 40005Quick View -
Les Espaces Electroacoustiques | Institute for Computer Music and Sound Technology [CD]
CHF 49.90Les Espaces Electroacoustiques | Institute for Computer Music and Sound Technology [CD]
CHF 49.90Masterpieces of electroacoustic music – presented in 5.1. surround and stereo
Edgard Varèse Poème Electronique (1958)György Ligeti Glissandi (1957)György Ligeti Artikulation (1958)Bruno Maderna Musica su due dimensioni für Flöte und Elektronik (1958)Luciano Berio Différences für 5 Instrumente und Tonband (1958-59)Luciano Berio Visage (1961)Helmut Lachenmann Szenario (1965)Jonathan Harvey Mortuos Plango, Vivos Voco (1980)Pierre Boulez Dialogue de l’ombre double (1985)Brian Ferneyhough Mnemosyne für Bassflöte und Tonband (1986)2 SACDs, col legno, 2016
WWE 2SACD 40002Quick View -
Les Espaces Electroacoustiques II | Institute for Computer Music and Sound Technology [CD]
CHF 39.90Les Espaces Electroacoustiques II | Institute for Computer Music and Sound Technology [CD]
CHF 39.90Masterpieces of electroacoustic music – presented in 5.1. surround and stereo
Luigi Nono Hommage an Emilio Vedova (1960)Luigi Nono La fabbrica illuminata (1964)Lugi Nono A floresta é jovem e cheja de vida (1965-1966)Luciano Berio Altra voce (1999)Gottfried Michael Koenig Klangfiguren II (Für Elektronik) (1955-1956)Karlheinz Stockhausen Kontakte (1958-1960)Gottfried Michael Koenig Terminus X (1967)2 SACDs, col legno, 2019
WWE 2SACD 40003Quick View -
The Performance Practice of Electroacoustic Music | Germán Toro-Pérez, Lucas Bennett (eds.) [E-Book PDF]
The Performance Practice of Electroacoustic Music | Germán Toro-Pérez, Lucas Bennett (eds.) [E-Book PDF]
The Studio di Fonologia years
This book is dedicated to the topic of performance practice of electroacoustic music, focusing mainly on the production of RAI’s Studio di Fonologia in Milan between the 1950s and 1970s. It is the result of an in-depth dialogue between musicology and musical practice, presenting musicological and practice-based contributions, some dealing with specific problems of performance practice, in particular the analysis and interpretation of the aesthetic prerequisites and production conditions of the repertoire from a musicological perspective, others focusing on specific works and on their realisation from a performer’s perspective. Overall, this publication is intended as a contribution to the performance culture of the repertoire.
Zürcher Musikstudien Band 10
156 pages (PDF), Peter Lang, 2018
ISBN 978-3-0343-3119-7Quick View -
The Performance Practice of Electroacoustic Music | Germán Toro-Pérez, Lucas Bennett (eds.)
CHF 68.00The Performance Practice of Electroacoustic Music | Germán Toro-Pérez, Lucas Bennett (eds.)
CHF 68.00The Studio di Fonologia years
This book is dedicated to the topic of performance practice of electroacoustic music, focusing mainly on the production of RAI’s Studio di Fonologia in Milan between the 1950s and 1970s. It is the result of an in-depth dialogue between musicology and musical practice, presenting musicological and practice-based contributions, some dealing with specific problems of performance practice, in particular the analysis and interpretation of the aesthetic prerequisites and production conditions of the repertoire from a musicological perspective, others focusing on specific works and on their realisation from a performer’s perspective. Overall, this publication is intended as a contribution to the performance culture of the repertoire.
Zürcher Musikstudien, Band 10
156 pages, Peter Lang, 2018
ISBN 978-3-0-3433118-0Quick View
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