Performing Live Electronic Music | Germán Toro Perez, Lucas Bennett, Jörn Peter Hiekel (Hg.)
CHF 47.90
Since digital technologies made real time sound processing broadly accessible in the 1980s, significant shifts in creative music practices and aesthetics, and further technological developments have profoundly transformed the performance practice of live electronic music. In this book philosophers, musicologists, composers and performers discuss the current state of that practice.
Besides addressing creative processes, performance approaches, unsolved problems regarding obsolescence, and the growing aesthetic diversity the contributions outline new aspects that transcend the pure musical fact: live electronic music practice reveals the multiple entanglements between arts and sciences, and how technology redefines the relationships between artists, cultures and environments, significantly impacting the way in which composers, performers and audiences engage, experience, share and create meaning and knowledge. Live electronic music performance thus offers unique insight into the radical changes and potentials of the arts in times of multiple global challenges.
ZHdK: Institute for Computer Music and Sound Technology (ICTS)
Performing Live Electronic Music | Germán Toro Perez, Lucas Bennett, Jörn Peter Hiekel (Hg.) [E-Book PDF]
Since digital technologies made real time sound processing broadly accessible in the 1980s, significant shifts in creative music practices and aesthetics, and further technological developments have profoundly transformed the performance practice of live electronic music. In this book philosophers, musicologists, composers and performers discuss the current state of that practice.
This open access book offers an original interdisciplinary overview of the role of haptic feedback in musical interaction. Divided into two parts, part I examines the tactile aspects of music performance and perception, discussing how they affect user experience and performance in terms of usability, functionality and perceived quality of musical instruments. Part II presents engineering, computational, and design approaches and guidelines that have been applied to render and exploit haptic feedback in digital musical interfaces.
285 Seiten (PDF), Springer International Publishing, 2018
ISBN 978-3-319-58316-7
The Performance Practice of Electroacoustic Music | Germán Toro-Pérez, Lucas Bennett (eds.) [E-Book PDF]
The Studio di Fonologia years
This book is dedicated to the topic of performance practice of electroacoustic music, focusing mainly on the production of RAI’s Studio di Fonologia in Milan between the 1950s and 1970s. It is the result of an in-depth dialogue between musicology and musical practice, presenting musicological and practice-based contributions, some dealing with specific problems of performance practice, in particular the analysis and interpretation of the aesthetic prerequisites and production conditions of the repertoire from a musicological perspective, others focusing on specific works and on their realisation from a performer’s perspective. Overall, this publication is intended as a contribution to the performance culture of the repertoire.
Unter Interpretation von Musik versteht man gemeinhin ihre praktische Aufführung. Aber auch die sprachliche Beschreibung von Musik, ihre theoretische Deutung und wissenschaftliche Analyse, ist eine Form der Interpretation. An keinem anderen kompositorischen Oeuvre ist die Notwendigkeit der Verflechtung von Praxis und Theorie, von Musikausübung und Wissenschaft so früh sinnfällig geworden wie an demjenigen Johann Sebastian Bachs. Bachs Musik interpretieren heisst bis heute, mit einer Unzahl von philologischen, analytischen, aufführungspraktischen, interpretationsästhetischen und rezeptionsgeschichtlichen Fragen konfrontiert zu sein. Dieser Gedanke stand im Vordergrund der Zürcher Ringvorlesung im Sommersemester des Bach-Jahres 2000, veranstaltet vom Musikwissenschaftlichen Institut der Universität Zürich und der Musikhochschule Winterthur Zürich, deren Beiträge in diesem Band veröffentlicht werden.
![Performing Live Electronic Music | Germán Toro Perez, Lucas Bennett, Jörn Peter Hiekel (Hg.) [E-Book PDF]](https://publikationen.zhdk.ch/wp-content/uploads/2025/03/202503_PerformingLive_Bennett-324x486.jpg)
![Musical Haptics | Stefano Papetti, Charalampos Saitis (eds.) [E-Book PDF]](https://publikationen.zhdk.ch/wp-content/uploads/2019/04/image-6-324x486.png)
![The Performance Practice of Electroacoustic Music | Germán Toro-Pérez, Lucas Bennett (eds.) [E-Book PDF]](https://publikationen.zhdk.ch/wp-content/uploads/2019/05/81SIMvZgqUL-324x486.jpg)
