Design Struggles critically assesses the ways in which the design field is involved in creating, perpetuating, promoting and reinforcing injustice and inequality in social, political, economic, cultural and ecological systems. This book shows how this entanglement arose from Eurocentric and neoliberal thinking. The voices and practices represented here propose to question and disrupt the discipline of design from within, by problematizing the very notions of design. They aim to do so by generating new, anti-racist, post-capitalist, queer-feminist, environmentally conscious and community-based ideas on how to transform design. In this way, Design Strugglesstrives to forge sustainable, new practices within the design field that challenge the status quo and amplify underrepresented voices, both in the world of design, as well as beyond.
Die Publikation bietet eine kritische Bewertung der Komplizenschaft des Designs bei der Schaffung, Aufrechterhaltung und Verstärkung sozialer, politischer und ökologischer Probleme, sowohl heute als auch in der Vergangenheit. Um diese disziplinarische Selbstkritik zu befördern, wird Design durch die Schnittstellen von Geschlecht, Kultur, Ethnizität und Klasse beleuchtet. In mehr als 20 Beiträgen entsteht eine dringende und weitreichende Reihe von Stimmen und Ansichten, derjenigen, die nach neuen Ansätzen für die Designgeschichte und Designausbildung suchen.
Aus dem Departement Design sind Paola de Martin, Dozentin BA Design und Tania Messell wissenschaftliche Mitarbeiterin der Fachrichtung Visual Communication, mit je einem Beitrag vertreten. Der Tagungsband entstand anlässlich der Konferenz «Beyond Change» (2018) des Swiss Design Networks. Die F&E Beauftragte Prof. Dr. Sarah Owens, war als Conference Co-Chair und Teil der Scientific Committee an der Konferenz und Publikation beteiligt.
Weitere Beiträge von: Danah Abdulla, Tanveer Ahmed, Zoy Anastassakis, Ahmed Ansari, Brave New Alps, Johannes Bruder, Cheryl Buckley, Sria Chatterjee, Alison J. Clarke, Sasha Costanza-Chock, Bianca Elzenbaumer, Arturo Escobar, Kjetil Fallan, Griselda Flesler, Corin Gisel, Matthew Kiem, Claudia Mareis, Ramia Mazé, Anja Neidhardt, Nan O’Sullivan, Maya Ober, Nina Paim, Luiza Prado de O. Martins, Mia Charlene White
Design Struggles critically assesses the ways in which the design field is involved in creating, perpetuating, promoting and reinforcing injustice and inequality in social, political, economic, cultural and ecological systems. This book shows how this entanglement arose from Eurocentric and neoliberal thinking. The voices and practices represented here propose to question and disrupt the discipline of design from within, by problematizing the very notions of design. They aim to do so by generating new, anti-racist, post-capitalist, queer-feminist, environmentally conscious and community-based ideas on how to transform design. In this way, Design Strugglesstrives to forge sustainable, new practices within the design field that challenge the status quo and amplify underrepresented voices, both in the world of design, as well as beyond.
No style | Peter Vetter, Katharina Leuenberger, Meike Eckstein
CHF 55.00
Ernst Keller (1891-1968). Teacher and pioneer of the Swiss Style
In various different places, particularly in the USA, when writing the history of graphic design, Ernst Keller is referred to as the father of Swiss Style, later International Typographic Style. This is down to the large number of Keller students, who later shaped this Swiss Style and made it famous. Keller’s achievement is shown purely using his oeuvre, primarily his poster designs and his work on lettering and graphic design in architecture.
Ernst Keller’s contribution to the development of innovative, non-academic didactic principles in design training plays a fundamental role. His teaching activity starting in 1918 can be defined as one of the first systematic training programmes for graphic design in the world.
253 pages, Triest Verlag, 2017
ISBN 978-3-0-3863023-4
Designethnografie. Methodologie und Praxisbeispiele | Francis Müller [E-Book PDF]
Das Lehrbuch entwickelt Methoden für die Designrecherche, denn Designen erfordert und erzeugt zugleich Wissen, was in der Praxis oftmals intuitiv passiert. Wird die Erzeugung dieses Wissens jedoch methodisch geleitet und reflektiert, dann stärkt dies die Designdisziplin und begünstigt ihre interdisziplinäre Vernetzung. Die Ethnografie ist hierzu eine geeignete Methode: Designethnografie bedeutet, dass eine Designerin in eine soziale Lebenswelt eintaucht, dort bestimmte Wirklichkeitsausschnitte beobachtet, analysiert und sie verändert – zum Beispiel mit Intervention und partizipativen Ansätzen. Werden solche Verfahren dokumentiert und theoretisch reflektiert, dann werden designspezifische Erkenntnismodi sichtbar.
332 Seiten (PDF), Springer, 2018
ISBN 978-3-658-21388-6
Swiss Graphic Design Histories | Sarah Owens et al. (eds.)
CHF 99.00
Swiss Graphic Design Histories offers an entirely new redefinition of Switzerland’s graphic design landscape. Based on extensive research by scholars of design history and with a multiple and inclusive approach, it reaches beyond the usual canon and the well-known epicenters Basel and Zurich with the Germanophone fathers of what has become famous as the Swiss Style in the 1950s, 1960s and 1970s.
Edited by Davide Fornari, Robert Lzicar, Sarah Owens, Michael Renner, Arne Scheuermann and Peter J. Schneemann.
