Ästhetische Kommunikation und Kindertheater | Mira Sack, Anton Rey (Hg.) [E-Book PDF]

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  Freilichttheater 2007/08 | Liliana Heimberg, Stefan Koslowski, Yvonne Schmidt, Simone Strauf

  

  Freilichttheater 2007/08 | Liliana Heimberg, Stefan Koslowski, Yvonne Schmidt, Simone Strauf

  Untersuchungen zum Theater mit nicht professionellen Darstellenden der deutschsprachigen Schweiz

  Forschungsbericht zum SNF/DORE-Forschungsprojekt

  Die Studie untersucht das aktuelle Freilichttheaterschaffen im Hinblick auf künstlerische Entwicklungen bezüglich Spiel, Regie und Autorschaft, regionalwirtschaftliche Effekte sowie kulturpolitische Aspekte. Sie zeigt auf, dass Freilichttheater eine höchst leistungsfähige und flexible Form des Theaters ist, wenn der Autorschaft der nicht professionellen Darstellenden und jener des Spielorts gebührend Rechnung getragen werden.

  335 Seiten (PDF), ZHdK Institute for the Performing Arts and Film, 2009

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  Impro Talks | Gunter Lösel (ed.) [E-Book PDF]

  

  Impro Talks | Gunter Lösel (ed.) [E-Book PDF]

  We felt that research on improvisation in theater has to catch up and so we invited 10 advanced researchers of the field to present and discuss their topics. The result was an interesting mix of methods, approaches and academic conven tions. As expected the contributions were quite heterogeneous, since there is no such thing as a “theory of improvisational theater” or even a consensus of which discipline should investigate on it: Psychology? Theater studies? Linguistics? This book compiles most of the contributions of IMPRO TALKS and makes them accessible for an interested public and for further research.
  Contributors: Edgar Landgraf, Gunter Lösel , Nicolas J. Zaunbrecher, Tony Frost and Ralph Yarrow, Duncan Marwick, Christian F. Freisleben-Teutscher

  subTexte 14

  116 pages (PDF), Zurich University of the Arts, 2017

  Open Access

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  Acoustics of the Vowel. Preliminaries | Dieter Maurer

  

  Acoustics of the Vowel. Preliminaries | Dieter Maurer

  It seems as if the fundamentals of how we produce vowels and how they are acoustically represented have been clarified: we phonate and articulate. Using our vocal chords, we produce a vocal sound or noise which is then shaped into a specific vowel sound by the resonances of the pharyngeal, oral, and nasal cavities, that is, the vocal tract. Accordingly, the acoustic description of vowels relates to vowelspecific patterns of relative energy maxima in the sound spectra, known as patterns of formants. The intellectual and empirical reasoning presented in this treatise, however, gives rise to scepticism with respect to this understanding of the sound of the vowel. The reflections and materials presented provide reason to argue that, up to now, a comprehensible theory of the acoustics of the voice and of voiced speech sounds is lacking, and consequently, no satisfying understanding of vowels as an achievement and particular formal accomplishment of the voice exists. Thus, the question of the acoustics of the vowel – and with it the question of the acoustics of the voice itself – proves to be an unresolved fundamental problem.

  subTexte 12

  280 pages, Peter Lang, 2016
  978-3-0-3432031-3

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