We often think art’s all about money. Rather, it’s about energy. Immersing yourself in Lake Zurich, a hedge-fund office, a botanical garden, or a land-art piece built on ruins, is it possible to discern an energy particular to art? Art as a form of energy capable of encompassing the whole of life, more powerful than finance and its algorithms? Art as science or speculative fiction? We dwell in castles with Schrödinger’s cat until we give form to the formless: molecules and failed soldiers, art spaces previously owned by the mafia. We share tips about the tricks of the trade—only to intervene, emancipate, culminate, collapse, and (re)emerge. Let us look everywhere for ideas, and let us be gloriously out of touch: may we grow our capacity and courage to love. Catastrophism, miniskirt, particle.
This book arises from the 2019 activities of the MA Fine Arts program at the Zurich University of the Arts. It reflects the conviction that an arts school can be a pedagogical nexus dedicated to the transmission of knowledge, experimentation, and research as much as a locus for civic and critical debate and exhibition, involved in its community, locally and globally.
With texts and artistic contributions by Kevin Aeschbacher, Bene Andrist, Claudia Baena, Donatella Bernardi, Lisa Biedlingmaier, Johanna Bruckner, Martina Buzzi, Notta Caflisch, Graciela Carnevale, Mathieu Copeland, Gritli Faulhaber, Anne-Laure Franchette, Florian Graf, Nadia Graf, Michael Felix Grieder, Tobias Gutmann, Vemo Liwei Hang, Julius Hatt, Tim Hergersberg, Füsun Ipek, Hanieh Jahangiri, Ziqi Jiang, Nicola Kazimir, Pete Keller, Elise Lammer, Yani Li, Kathrin Maliszewski, Nico Sebastian Meyer, Clio Newton, Tabita Rezaire, Ana Roldán, Valentina Sansone, Esther Schena, Denise Schwab, Daniel Schwartz, Alexandra Siegrist, Elza Sile, Susan Steiger, Linda Strähl, Ilona Stutz, Milva Stutz, Salvatore Vitale, Bettina Wachter, Yamu Wang, Yvonne Wilhelm.
Art & Crisis. A Polyphonic Research on the Contemporary | Donatella Bernardi (ed.)
CHF 28.00
Polyphonic research into contemporary, Art & Crisis» is the first volume of a new series aiming to explore the state of the world and cultural theories as seen through the lens of contemporary artistic practices and educational tools. Stemming from the Master Fine Arts at the Zurich University of the Arts, and edited by MFA director Donatella Bernardi, the series’ ambition is to replace the traditional “degree show” catalogue with a theoretical publication showing the path followed by the students-turned-artists over the course of the year, and to explore how an educational institution based in Zurich can locate itself within the global (art) world.
320 pages, jrp|Ringier, 2018
ISBN 978-3-03764-525-3
The artist as entrepreneur has become a common topic of discussion. Here, however, we put forward the notions of “self” and “system.” First, every artistic practice is self-reflexive and self-contextualizing. Second, each system an artist builds allows for innovation. Let’s construct a space where we inevitably find ourselves together with others, even if we feel lonely, like a witch lost in a library of artists’ books. Let’s invent our right to do so. Let’s enter the world of smell and write about a megalomaniac art school while documenting a generation of art students and their studios with analogue photography. How does anyone even manage—from making objects to performing one’s own existence? Device, organon, animal.
328 pages, Sternberg Press, 2019
ISBN 978-3-956794-88-9
Photography and Writing as an Experience, Experiment and Insight
The focus of this narrative-analytical text-photo-montage is the so-called Wendezeit in East Germany, the years after the reunification and the individual and collective outbreaks of violence that accompanied thisradical change. Based on personal experiences and trained on literary and theoretical works such as Alexander Kluge’s Lebensläufe, Klaus Theweleit’s Männerphantasien or W.G. Sebald’s novel Austerlitz, Kai Ziegner reflects on remembrance and testimony in a way that is as critical as it is experimental.
ZHdK – A Future for the Arts | Hans-Peter Schwarz (ed.)
CHF 118.00
What do actors Bruno Ganz and Johanna Bantzer have in common with photographers Olaf Breuning and Ernst Scheidegger, or film directors Fredi M. Murer and Andrea Staka with dancer Kusha Alexi? Along with designers Adrian Frutiger and Max Bill, musicians Anne-Sophie Mutter and Yuka Tsuboi, artists Augusto Giacometti and Sophie Taeuber-Arp, and actors Gustav Knuth and Laura de Weck, they all studied at Zürich’s legendary art schools.
In August 2007, these institutions, which were previously separated by discipline, merged to form one of Europe’s most multifaceted and significant art education centers, the Zurich University of the Arts (ZHdK). Published to mark its founding, ZHdK—A Future for the Arts recounts the history of the previous schools, examines the importance of their well-known alumni, and sets forth ambitious goals for the future of the institution. With over seven hundred color illustrations and accompanied by a companion CD and DVD, this volume traces the history of Swiss art education and features perspectives that span the entire curriculum. ZHdK—A Future for the Arts is not just a portrait of a single university, but a rendering of Swiss cultural history of the past fifty years.
352 pages, CD, DVD, Scheidegger & Spiess, 2007
ISBN 978-3-85881-709-9
Schmerz in den Künsten | Corina Caduff, Tan Wälchli (Hg.) Zürcher Jahrbuch der Künste
Schmerz ist ein unentwegter Wanderer zwischen Körper und Seele, der sich in verschiedenster physischer und psychischer Gestalt artikuliert und den wir alle in irgendeiner Form kennen. Natur- und Geisteswissenschaften beschäftigen sich kontinuierlich mit ihm, die Medizin hat ihn sich zu eigen gemacht, in Religionen wird er gepriesen, Neurologen und Kulturwissenschaftler denken über ihn nach, während ihn die Künste immer wieder von Neuem in Szene setzen. Weshalb beschäftigt der Schmerz Künstlerinnen und Künstler so unaufhörlich, und inwiefern wird er in den verschiedenen Disziplinen ähnlich oder unterschiedlich artikuliert? Wissenschaftler*innen und Künstler*innen aus der Schweiz, Deutschland und den USA untersuchen die Präsenz des Schmerzes in Theater, Performance, Film, Musik, Kunst, Literatur, Architektur, Design und Mode. Zudem enthält der Band visuelle Beiträge zum Thema Schmerz aus der Zürcher Hochschule.
![A History of Violence | Kai Ziegner [E-Book PDF]](https://publikationen.zhdk.ch/wp-content/uploads/2023/08/Ziegner_en-324x486.jpg)
