Glossar der Planlosigkeit | MA Kulturpublizistik ZHdK Jahrgang 2020
«Glossar der Planlosigkeit» heisst die Publikation der Kulturpublizistikstudierenden vom Jahrgang 2020. Darin gehts um verpasste Flüge, Nächte im Moonliner & Reisen ohne bekanntes Ziel. Elf Studierende haben geschrieben, konzipiert und redigiert. Nach eineinhalb Jahren findet das Projekt im Mai 2022 sein Ende – jedes Exemplar ist ein Einzelstück, das von einem Algorithmus kuratiert wurde.
Eine Publikation des MA Kulturpublizistik der ZHdK, mit 101 Bild- und Textbeiträgen von Livio Baumgartner, Laura Breitschmid, Oliver Brunko, Stefanie Ehrler, Nina Gehrig, Livia Grossenbacher, Noëlle Guidon, Vera Mattmann, Moriz Oberberger, Lyenne Perkmann, Noëmi Roos, Natalie Schärer, Sandino Scheidegger, Karoline Schreiber, Ava Slappnig, Tobias Söldi, Alice Sommer, Hayahisa Tomiyasu, Robin Waart und Jonas Wandeler.
ZHdK: Vertiefung Kulturpublizistik im Master Art Education
We often think art’s all about money. Rather, it’s about energy. Immersing yourself in Lake Zurich, a hedge-fund office, a botanical garden, or a land-art piece built on ruins, is it possible to discern an energy particular to art? Art as a form of energy capable of encompassing the whole of life, more powerful than finance and its algorithms? Art as science or speculative fiction? We dwell in castles with Schrödinger’s cat until we give form to the formless: molecules and failed soldiers, art spaces previously owned by the mafia. We share tips about the tricks of the trade—only to intervene, emancipate, culminate, collapse, and (re)emerge. Let us look everywhere for ideas, and let us be gloriously out of touch: may we grow our capacity and courage to love. Catastrophism, miniskirt, particle.
Photography and Writing as an Experience, Experiment and Insight
The focus of this narrative-analytical text-photo-montage is the so-called Wendezeit in East Germany, the years after the reunification and the individual and collective outbreaks of violence that accompanied thisradical change. Based on personal experiences and trained on literary and theoretical works such as Alexander Kluge’s Lebensläufe, Klaus Theweleit’s Männerphantasien or W.G. Sebald’s novel Austerlitz, Kai Ziegner reflects on remembrance and testimony in a way that is as critical as it is experimental.
Actor & Avatar | Dieter Mersch, Anton Rey, Thomas Grunwald et al. (eds.)
CHF 48.00
A Scientific and Artistic Catalog
What kind of relationship do we have with artificial beings (avatars, puppets, robots, etc.)? What does it mean to mirror ourselves in them, to perform them or to play trial identity games with them? Actor & Avatar addresses these questions from artistic and scholarly angles.