Swiss Graphic Design Histories | Sarah Owens et al. (eds.) [E-Book PDF]
Swiss Graphic Design Histories offers an entirely new redefinition of Switzerland’s graphic design landscape. Based on extensive research by scholars of design history and with a multiple and inclusive approach, it reaches beyond the usual canon and the well-known epicenters Basel and Zurich with the Germanophone fathers of what has become famous as the Swiss Style in the 1950s, 1960s and 1970s.
Edited by Davide Fornari, Robert Lzicar, Sarah Owens, Michael Renner, Arne Scheuermann and Peter J. Schneemann.
In three volumes it features visual artefacts and archival documents, the majority published here for the first time, alongside likewise previously unpublished conversations with designers who have forged developments of the past decades, as well as new essays discussing key terms that refer to various design practices. The complexity of the undertaking is embraced through a system of keywords, thus enabling readers to connect contents within the individual volumes. A fourth volume comprising a glossary, bibliography, and an index of the keywords rounds out this long-awaited new survey of graphic design in multi-lingual Switzerland that sheds new light at networks, practices and media largely ignored so far.
With contributions by Chiara Barbieri, Rudolf Barmettler, Jonas Berthod, Sandra Bischler, Constance Delamadeleine, Davide Fornari, Roland Früh, Ueli Kaufmann, Sarah Klein, Robert Lzicar, Jonas Niedermann, Sarah Owens, Michael Renner, Peter J. Schneemann, Arne Scheuermann, and Sara Zeller
Swiss Graphic Design Histories | Sarah Owens et al. (eds.)
CHF 99.00
Swiss Graphic Design Histories offers an entirely new redefinition of Switzerland’s graphic design landscape. Based on extensive research by scholars of design history and with a multiple and inclusive approach, it reaches beyond the usual canon and the well-known epicenters Basel and Zurich with the Germanophone fathers of what has become famous as the Swiss Style in the 1950s, 1960s and 1970s.
Edited by Davide Fornari, Robert Lzicar, Sarah Owens, Michael Renner, Arne Scheuermann and Peter J. Schneemann.
Not at Your Service. Manifestos for Design | Björn Franke, Hansuli Matter (eds.)
CHF 52.90
Not at Your Service: Manifestos for Design brings together the broad spectrum of beliefs, subjects and practices of designers at Zurich University of the Arts. It offers different approaches and insights on the present-day role and impact of design. It is not conceived as a finished project, but as a fluid document of its time. Collaborative design, interaction within complex systems, attention economics, the ecological shift, visual literacy, gender-neutral design, «quick and dirty» design ethnography, social responsibility, the value of ugliness, death futures, immersive technologies, identity and crises, design as a transformative discipline – all of these topics are presented for debate with passion, conviction and professional expertise.
526 pages, Birkhäuser, 2021
ISBN 978-3-0356-2272-0
Architectonics of Game Spaces | Andri Gerber, Ulrich Götz (eds.) [E-Book PDF]
What consequences does the design of the virtual yield for architecture and to what extent can the nature of architecture be used productively to turn game-worlds into sustainable places – over here, in «reality»?
This pioneering collection gives an overview of contemporary developments in designing video games and of the relationships such practices have established with the design of architecture. Due to their often simulatory nature, games reveal constructions of reality while positively impacting spatial ability and allowing for alternative avenues to complex topics and processes of negotiation. Granting insight into the merging of the design of real and virtual environments, this volume offers an invaluable platform for further debate.
343 pages, transcript, 2019
ISBN 978-3-8394-4802-1
Designethnografie. Methodologie und Praxisbeispiele | Francis Müller
CHF 41.50
Das Lehrbuch entwickelt Methoden für die Designrecherche, denn Designen erfordert und erzeugt zugleich Wissen, was in der Praxis oftmals intuitiv passiert. Wird die Erzeugung dieses Wissens jedoch methodisch geleitet und reflektiert, dann stärkt dies die Designdisziplin und begünstigt ihre interdisziplinäre Vernetzung. Die Ethnografie ist hierzu eine geeignete Methode: Designethnografie bedeutet, dass eine Designerin in eine soziale Lebenswelt eintaucht, dort bestimmte Wirklichkeitsausschnitte beobachtet, analysiert und sie verändert – zum Beispiel mit Intervention und partizipativen Ansätzen. Werden solche Verfahren dokumentiert und theoretisch reflektiert, dann werden designspezifische Erkenntnismodi sichtbar.
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