Bildung, Praxistransfer und Kooperation | Charlotte Axelsson, Dana Blume, Benno Volk (Hg.)

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  We often think art’s all about money. Rather, it’s about energy. Immersing yourself in Lake Zurich, a hedge-fund office, a botanical garden, or a land-art piece built on ruins, is it possible to discern an energy particular to art? Art as a form of energy capable of encompassing the whole of life, more powerful than finance and its algorithms? Art as science or speculative fiction? We dwell in castles with Schrödinger’s cat until we give form to the formless: molecules and failed soldiers, art spaces previously owned by the mafia. We share tips about the tricks of the trade—only to intervene, emancipate, culminate, collapse, and (re)emerge. Let us look everywhere for ideas, and let us be gloriously out of touch: may we grow our capacity and courage to love. Catastrophism, miniskirt, particle.

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  ZHdK – A Future for the Arts | Hans-Peter Schwarz (ed.)

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  What do actors Bruno Ganz and Johanna Bantzer have in common with photographers Olaf Breuning and Ernst Scheidegger, or film directors Fredi M. Murer and Andrea Staka with dancer Kusha Alexi? Along with designers Adrian Frutiger and Max Bill, musicians Anne-Sophie Mutter and Yuka Tsuboi, artists Augusto Giacometti and Sophie Taeuber-Arp, and actors Gustav Knuth and Laura de Weck, they all studied at Zürich’s legendary art schools.
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  Auf die Welt kommen | Plattform Kulturpublizistik, ZHdK (Hg.)

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  Geschichten des Widerstands
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  Im Oktober 2020 findet eine Studentin im Nachlass ihrer verstorbenen Tante ein Büchlein mit rätselhaften Einträgen. Wie sich zeigt, haben fünf Frauen im Zeitraum von 1877 bis 1992 und an Brennpunkten wie der Russischen und der Deutschen Revolution, dem Spanischen Bürgerkrieg und den Jugoslawienkriegen ihre Erlebnisse und Gedanken in das Notizbuch eingetragen. Ihre Berichte und Gedanken drehen sich um die Frage des Widerstands, wenn eine Welt am Abgrund steht.

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